This Is How I Felt was filmed in a twenty-four period while the filmmaker was wearing a heart monitor to investigate possible arrhythmias.
Pack is an experimental short film about escaping the confines of the city.
A viola player struggles to fall asleep as she battles the silence around her and the noise inside her mind.
Soap is an Illusion plunges the viewer into the volatility of our conflicting attractions to dirt and cleanliness. A collage of poetic imagery, music, and abstracted, incantatory language, the film follows two men in an excavation of our cultural soil. Their dialog gives rise to unexpected landscapes, populated by revengeful toasters, soap bubbles which fly on magic carpets, and other surprises. A postmodern video opera, Soap bathes the viewer in music and visual spectacle.
When a war is going on, the consequences are terrible for many civilians. Together with documentary scenes from the war in Ukraine, voices from all over the world are heard in this short film. They express their reaction to the war, by translating and reading a poem.
The Norwegian poet, Odveig Klyve, wrote this poem on March 14, 2022, the 19th day of the war, and published it on social media the same day. The poem was quickly shared several thousand times. Spontaneously people started to translate this poem, and it has now been translated into more than 100 different languages and dialects.
A young woman fights her MS-related fatigue and finally steps outside to practice shinrin-yoku (forest bathing).
‘Demi-Goddesses’ is the second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.
Overall, the intention of the film is that it will spark conversations and inspire the viewer to imagine a world where gender is not a limiting factor. At best, the audience will leave the theater with a greater awareness of the issues and a sense of possibility for a just future.
Three witches are guided through cycles of life and death by a horned creature.
A man drinks a mysterious vial of liquid he finds on a street corner and is chased by his doppelganger through the streets of Seattle.
It is called the Time Travelers Paradox. In which a scientist creates a Time Machine and kills their younger self. So now a man who should not- can not- exist, somehow does. That is the Paradox, and Paradoxes are impossible. And the man who has created it, is Tim Travers. A reclusive mad scientist whose stated mission in life is to stand alone with God at the end of time, and tell the bastard off.
In the course of his adventure, Tim Travers will take on the mercenary gang whose stolen plutonium powers his machine, challenge an Alex Jones-esk podcast er to a battle of wits, create a black hole, meet the one woman alive crazier than him, clone himself, destroy the universe, Make a new one, and maybe- Just Maybe- learn to love himself at last.
