Filtering by: Feature

Requiem Espresso - Gil Giuliani
Aug
2
5:15 PM17:15

Requiem Espresso - Gil Giuliani

Requiem Espresso is a VHS film from the '80s/'90s, a love letter to POP cinema culture. It's the story of Francesco: a delivery guy that sleep on his friend's sofa. Only a few years earlier he was calling himself "Frank": the front man of a band that was on the verge of success.
Then one day, during his deliveries, an opportunity knocks on his door: to open the concert of an international band and finally make his comeback on the stage. Frank will have to put together his old band with which he cut the bridges and face a past he escaped from. He does not know, however, that that concert is actually a cover for something very different: his last delivery.

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Ocean's Arrival - Giao Nguyen
Aug
6
5:45 PM17:45

Ocean's Arrival - Giao Nguyen

On the winter solstice, four friends reunite at their family's beachside cabin after years apart. From the ocean, a mysterious stranger arrives seeking refuge, eventually pitting the friends against one another. Fantasy, fear, and reality blend together as the days unfold. Ocean’s Arrival is a new student-feature film written and directed by Giao Nguyen. This film also serves as the senior thesis project for Giao Nguyen at Seattle Pacific University.

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Electric Jesus - Chris White
Aug
7
4:15 PM16:15

Electric Jesus - Chris White

ELECTRIC JESUS, a coming of age, rock-and-roll comedy, follows the ill-fated exploits of a religious hair metal band during the summer of 1986. The film stars The Office’s Brian Baumgartner as the band’s woebegone road manager, 80’s teen icon Judd Nelson as a firebrand preacher, and newcomers Andrew Eakle, Shannon Hutchinson, and Wyatt Lenhart as devout teens determined to “make Jesus famous.”

ELECTRIC JESUS has been making waves in the U.S. film festival circuit, winning numerous awards and converting hundreds of devotees. It is a stunning breakout from writer-director Chris White, who co-produced the film with his wife Emily Reach White and co-wrote the film’s original songs with alt-rock musician Daniel Smith.

Mining his own experiences as an Evangelical teenager, White pushes past the hoary cliches of both music and faith-based genres, delivering a film that resists sentimentality, preferring to lean hard into the awkward, strange , and sometimes wonderful world of youthful devotion to cause.

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